#Simon Larouche

[wheelsgoroundincircles]

1939 Duesenberg COUPE SIMONE

1939 Duesenberg COUPE SIMONE

1939 Duesenberg COUPE SIMONE

1939 Duesenberg COUPE SIMONE

1939 Duesenberg COUPE SIMONE

The Duesenberg Coupe "Simone," was a request made by the cosmetics magnate Gui(Guy) De La Roche as a gift for his young lover Simone.

The story begins, as many romances do, in France. Yet, in many ways it is an American story. The story of two immigrants, Emmett Hardnock and Armand Minasian. It is a story filled with the excitement, the creative energy of the early automotive age, and a story of our time, our chance happenings and dogged research.

The year was 1936, The French cosmetics king Gui De LaRouche had just attended the world premier of the film The Clearing Cloud. Watching the film, he was particularly impressed by an automobile driven by the leading man. After making several inquiries, he learned that the automobile's gorgeous body was the creation of Emmet - Armand Coachworks of America located in Green Brier, Pennsylvania.

[theclubhero-blog]

 Equipe grande trabalha em Horizon Online

Por Vinicius Torres Oliveira

Segundo o jornalista Jason Schreier, o próximo lançamento da Guerrilla será Horizon Online, não o terceiro jogo da linha single-player

Em junho, listagens de emprego na Guerrilla indicaram a busca do estúdio por profissionais para dar suporte a jogos voltados para a comunidade online. As descrições das vagas chamaram atenção, pois se referiam a “projetos”, no plural.

Jason Schreier, jornalista do Bloomberg, participou do Spawncast, podcast do canal Spawn Wave, e trouxe informações sobre os planos da Guerrilla Games. O estúdio holandês anda ocupado, especialmente com os lançamentos de Horizon Zero Dawn Remastered, em 31 de outubro, e de LEGO Horizon Adventures, em 14 de novembro. Mas e depois? Bom, aparentemente, Horizon Online verá a luz do dia.

De acordo com Schreier, o jogo como serviço multiplayer “é o próximo produto da Guerrilla, não o terceiro jogo single-player”. Ele ainda afirma que a sequência de Horizon Forbidden West “parece estar longe de chegar”.

O jornalista continua: “A iniciativa live service da PlayStation não foi piada, todos sentiam que “era live service pra todo lado”. Horizon Online é um dos poucos que não foram cancelados ou que não floparam, como Concord. Muitas pessoas trabalham nele”.

O site Push Square relembra que a Guerrilla iniciou o desenvolvimento de Horizon Online por volta de 2018, quando Simon Larouche, veterano de Killzone, retornou ao estúdio, para liderar a produção de um título multiplayer. Talvez, este projeto se encontre perto do seu término.

Horizon Forbidden West, por sua vez, foi lançado em 2022, portanto, sua sequência provavelmente ainda estaria nas fases iniciais da pré-produção. Algo que faria sentido, pois a maioria da equipe da desenvolvedora holandesa, parece concentrada no jogo multiplayer.

[cineastua]

Simon Leoza - La Nuée from Vincent Rene-Lortie on Vimeo.

JUNO Nominee for Best Music Video of the Year.

A young girl takes her first step from childhood into adulthood by deciding to flee her abusive father with her newborn sister in tow.

With Eve Dupuis, Frédéric Lavallée & Félix Giguere

Directed by Vincent René-Lortie Music by Simon Leoza

Produced by Telescope Films Executive producer - Samuel Caron Producer - Élise Lardinois Production Manager - Félix Cayer 1st assistant director - Clara L’heureux Garcia Production Coordinator - Marjorie Gauvin Prod. assistants - Jonathan Verreault & Jeremy Gagnon

Cinematographer - Alexandre Nour 1st camera assistant - Kevin Gourvellec Loader - Laure Boyer Key grip - Alain Tremblay Grips - Xavier Boisvert & Danik Gollain

Production designer - Geneviève Boiteau Make up artist - Carole Methot Art assistant - Laurence Perreault-Brière

Sound recording - Samuël Jodry Larouche

VFX - Olivier Masson Editor - Vincent René-Lortie Sound designer - Nataq Huault Color - Simon Boisx Storyboard artist - Simon Dubois Casting - Casting VTB & Brittney Canda

Label - Rosemarie records Violin 1: Gabrielle Richard Violin 2 : Amanda Gibeau Viola : Marilou Lepage Violoncello : Anne-Louise Gilbert Produced and arranged by Blaise Borboën-Léonard and Simon P. Castonguay Engineered by Blaise Borboën-Léonard Mixed by Blaise Borboën-Léonard, Studio Makina Mastered by Richard Addison, Trillium Sound Studios

Special thanks to MELS, Shane Patrick, Nancy Grant, Janet Lang, Robert Warrington, Tony Lermiri, Janie Patenaude, Myriam Julien, The City of Harrington, The Lost River Community Center

[whatamigonnawatchtoday]

Tu dors Nicole (You’re Sleeping Nicole)

2014. Comedy Drama

By Stéphane Lafleur

Starring: Julianne Côté, Catherine St-Laurent, Marc-André Grondin, Fanny Mallette, Francis La Haye, Simon Larouche, Claudia-Émilie Beaupré, Juliette Gosselin, Claude Despins...

Country: Canada

Language: French

[steampunktendencies]

Duesenberg  1939, COUPE SIMONE

The Duesenberg Coupe "Simone," was a request made by the cosmetics magnate Gui(Guy) De La Roche as a gift for his young lover Simone.

The story begins, as many romances do, in France. Yet, in many ways it is an American story. The story of two immigrants, Emmett Hardnock and Armand Minasian. It is a story filled with the excitement, the creative energy of the early automotive age, and a story of our time, our chance happenings and dogged research.

The year was 1936, The French cosmetics king Gui De LaRouche had just attened the world premier of the film The Clearing Cloud. Watching the film, he was particularly impressed by an automobile driven by the leading man. After making several inquiries, he learned that the automobile's gorgeous body was the creation of Emmet - Armand Coachworks of America located in Green Brier, Pennsylvania.

read more 

Join us on Telegram : https://t.me/steampunktendencies

[a-god-in-ruins-rises]

Any good economists you'd suggest? Hamilton, List, anyone else in that general category?

i can list a number of economists that are approximate to hamilton and list but keep in mind that the degree of proximity will vary and they may or may not disagree on certain specifics but they are all in relatively the same vein (heterodox, protectionist, historical, institutionalist, industrial, statist, etc).

henry carey, henry clay, john roger commons, max weber, georg friedrich knapp, thorstein veblen, alexander hill everett, john kenneth galbraith, simon patten, e. peshine smith, jean-baptiste colbert, daniel raymond, clarence edwin ayres, adolf berle, ha-joon chang, lyndon larouche, and michael hudson.

also, he's not really an economist, but i do recommend fichte's "closed commercial state".

[96thdayofrage]

Former U.S. Sen. Adlai Stevenson III dies at 90

Former U.S. Sen. Adlai E. Stevenson III, the fourth generation of an iconic Illinois Democratic political family to hold public office and who lost the closest governor’s race in state history, died Monday in his Chicago home. He was 90.

Stevenson, the namesake of a great-grandfather who served as 23rd vice president of the United States and a father who served as Illinois’ 31st governor and twice ran as the Democratic nominee for president, represented Illinois in the U.S. Senate from 1970 through 1981.

Stevenson’s political career began when he was elected in 1964 as a member of the Illinois House on the famous “bedsheet” ballot, where all candidates ran for at-large statewide seats because of redistricting problems.

He then successfully ran for Illinois treasurer in 1966, holding that office until November 1970 when he won a special U.S. Senate election following the death of Republican Sen. Everett Dirksen a year earlier.

Stevenson easily defeated Republican Ralph Tyler Smith, who had been appointed to the seat, taking 58% of the vote. After finishing Dirksen’s term, Stevenson won reelection in 1974, then decided not to run again in 1980. He stepped aside in January 1981 for fellow Democrat Alan Dixon, who won the November election.

In 1982, Stevenson ran for governor. He had initially sought the Democratic Party’s backing for the office in 1968, but was brushed aside by then-Mayor Richard J. Daley. The 1982 matchup would go down as the tightest race for governor in Illinois history, with Stevenson losing by less than 1 percentage point — 5,074 votes to be exact — to Republican incumbent James R. Thompson.

Perhaps the most memorable moment from that contest, aside from its close finish, was the debate over whether Thompson had implied Stevenson was a “wimp.”

″He is saying, ‘Me tough guy,’ as if to imply that I’m some kind of wimp,″ Stevenson said during the campaign. Thompson famously replied, “I have never called Adlai Stevenson a wimp,” before saying he didn’t know what a wimp was.

With results showing Stevenson trailing by a few thousand votes out of more than 3.6 million cast, he began the process for a recount by reviewing a portion of ballots in selected counties. He contended the partial recount indicated he would win by some 40,000 votes and his team argued the case before the Illinois Supreme Court, which at the time was made up of four Democrats and three Republicans.

Democratic Justice Seymour Simon joined the three Republican justices in ruling the state’s recount statute was unconstitutional, handing the victory to Thompson. In a 2000 interview with the Tribune, Stevenson alleged Simon’s vote was payback for Stevenson passing him up for a federal judgeship while he was senator. Simon vehemently denied the allegation as “nonsense,” while Stevenson further alleged a recount would have exposed Cook County Democrats to allegations of voter fraud.

“It will always be uncertain what was the will of the people in the gubernatorial election of 1982,” the three dissenting Supreme Court justices concluded in the controversial case.

In a 2017 interview with the Tribune, an 86-year-old Stevenson joked, “I still haven’t conceded, by the way.”

In 1986, Stevenson sought a rematch. After winning the party’s nomination in the primary, he abandoned the Democratic ticket after Mark Fairchild and Janice Hart, followers of political extremist Lyndon LaRouche, won the nomination for lieutenant governor and secretary of state, respectively.

Stevenson instead mounted a third-party candidacy on the ticket of the Illinois Solidarity Party, which all but ensured the clobbering Thompson gave him on his way to winning the third of his historic four terms in office. The Illinois AFL-CIO endorsed Thompson in 1986, a rare backing of a Republican in a statewide race by a traditional and politically powerful Democratic ally in organized labor.

In both campaigns, Stevenson suffered from a charisma deficit compared with the more convivial Thompson. A 1986 Washington Post campaign trail profile of Stevenson described how the candidate sat silently in a Downstate McDonald’s filled with voters.

“His charisma quotient is down around zero. No one recognizes or approaches the man with the bald dome and wire-rimmed glasses,” the article read. “While other campaigners would glad-hand their way through the place, Stevenson sits quietly in a booth. His wife, Nancy, who campaigns endlessly and gregariously, later explains that her husband’s respect for the privacy of others prohibits such intrusion.”

Veteran Chicago political operative David Axelrod, best known for his work on former President Barack Obama’s campaign and as his White House adviser, worked on that 1986 campaign.

“Rumpled and professorial, people often misread him,” Axelrod tweeted about Stevenson. “He had a spine of steel and kowtowed to no one-not the Chicago machine donors, interest groups…or even voters. Just said and did what he thought was right. RIP.”

After losing both the closest and one of the most lopsided races for governor, Stevenson did not seek office again. He went on to a lengthy private sector career with a focus on business relations in East Asia while holding a number of leadership positions with organizations focused on U.S.-Asian relations.

He also wrote “The Black Book,” which “records American politics and history as his family knew it over five generations of active engagement, starting with Abraham Lincoln in central Illinois,” according to the family obituary.

Stevenson met his future wife, Nancy Anderson, in 1953 while he was training at Fort Knox, Kentucky in preparation for his deployment overseas. The couple was married in 1955 at Nancy’s home near Louisville.

Nancy Stevenson summed up their marriage as “one long adventure.”

“He was a man who loved to explore every time he was in a new place,” she said. “He loved to explore ideas, and he took his family with him every chance he got.”

In a statement, Gov. J.B. Pritzker lauded Stevenson as a “rare individual” for earning both the Illinois Order of Lincoln honor from the governor and the Order of the Sacred Treasure from the Emperor of Japan.

“Whether in elected office, in the Marines or in non-profit work, Adlai Stevenson III lived each of his 90 years as an example of public service,” Pritzker said. “Most markedly, Sen. Stevenson’s pursuits were anchored in a passion for democracy. As the first chairman of the modern Senate Ethics Committee and later in his work in global development, his commitment to bringing people into politics transcended international borders.”

Acclaimed historian Michael Beschloss recalled on Twitter his days as a 16-year-old intern in Stevenson’s Washington Senate office, sorting the mail and operating the Xerox machine. Beschloss remembered Stevenson once recalling how he had to meet with famous Chicago Ald. Paddy Bauler (best known for his famous line “Chicago ain’t ready for reform”) while he was trying to break into politics.

“I once heard Senator Stevenson joke about being a young political candidate who had to audition before a Chicago boss in the boss’s saloon,” Beschloss tweeted. “Stevenson recalled being pleased to overhear the boss say afterwards, ‘Well, the little ---- wasn’t as bad as I expected!!’”

Stevenson’s great-grandfather, Adlai Stevenson I, served as vice president to President Grover Cleveland, helping deliver Illinois for Cleveland. The eldest Stevenson was twice elected to Congress from Illinois before twice losing reelection during Republican presidential years. He also ran for vice president on the losing presidential ticket of William Jennings Bryan in 1900 before narrowly losing a 1908 run for Illinois governor.

Stevenson’s grandfather, Lewis Stevenson, got appointed as Illinois secretary of state in 1914, but lost his 1916 campaign for reelection.

Stevenson’s father, Adlai Stevenson II, successfully ran for governor in 1948, ousting two-term Republican incumbent Dwight Green and becoming a national figure in the process. Stevenson had planned to run for reelection in 1952 before reluctantly getting nominated by the Democratic National Convention to run against overwhelmingly popular Republican President Dwight D. Eisenhower.

Eisenhower easily defeated Stevenson II in 1952 and again in 1956, when he received the Democratic nomination a second time. Stevenson II sought a third nomination in 1960, but lost out to the youthful John F. Kennedy, who won Stevenson’s own Illinois delegation with the support of Daley.

Stevenson III graduated from Milton Academy, Harvard College and Harvard Law School. He served with the Marine Corps in Korea and was discharged as a captain from the Marine Reserves in 1961.

In his bids for governor, the youngest Stevenson often said he was born to run for office and often referenced the political debt he owed his famous father.

In his 2017 interview with the Tribune, Stevenson noted that his son, executive Adlai Stevenson IV, and grandson Adlai Stevenson V didn’t seem inclined to follow his footsteps into politics.

“My father said he was ‘born with an incurable hereditary disease of politics,’” Stevenson said. “Apparently, the disease has been cured.”

In addition to his wife, Stevenson is survived by two sons, Adlai IV and Warwick; two daughters, Lucy Stevenson and Katherine Stevenson; two brothers, John and Borden; and nine grandchildren.

Service information was not yet available.

[ladiesofla-blog]

Ladies of LA who was the last person you texted and what did it say?

Mun: “I don’t text people. I’ll either call or talk to them in person. Don’t ask me why.”

Lena: “My friend, Addy. I asked her if we could get together for a bit because I have something that I need to discuss with her.”

Simone: “My fiance, Wyatt. I told him not to forget to put the towels in the dryer. I’m acting like a wife already. lol”

Jen: “My sister, Kendra. I asked her if I needed to bring anything to her baby shower (besides her gifts). I’m helping her decorate for it.”

Roz: “A woman that I’ve been interested in lately. I asked her if she wanted to go out to dinner with me tonight.”

Krista: ���My partner, Alexis. I was letting her know that we had a new case and that she needed to come into work ASAP.”

Alexis: “My Mom. I asked her if she could watch my daughter, Dani, for awhile because I was suddenly called into work.”

Celeste: “My husband, Adrian. I told him that I was going to be late getting home because of work.”

Celine: “I haven’t sent any texts lately.”

Sheena: “My daughter, Maddie, asking her what she would like for supper tonight.”

[pacocaballero]

Loud - Sometimes, All The Time feat. Charlotte Cardin from William Fradette on Vimeo.

Y'all get where I was going with this one. You first see them as emotionally close but physically distant and then as physically close but emotionally distant. Its how these things go.

DOP - Derek Branscombe 1st AC - Véronique Dagenais Gaffer - Émile Desroches-Larouche Key Grip - Martin Lamarche Best boy - Patrick Casavant Colorist - Simon Boisx MUA - Victoria Chiron P.A. - Antoine Cloutier-Poulin Production manager - Martin Couture Producer - France-Aimy Tremblay Production coordinator - Élise Lardinois

[lesterplatt]

Book your comeback - VIA Rail (DC) from Jeremy Comte on Vimeo.

Client: VIA Rail Canada Louis Levesque Philippe Normand Mia Bergman Alexandra Nasim

Agency: Cossette Executive Creative Director: Louis-Philippe Tremblay Creative Director: Gilles Legault Lead Creative Team: Adrien Heron & Ugo Martinez Art Director: Jessica Fecteau VP/ Lead business: Nadja Décarie Product Director: Nicolas Girault

Production Manager: Erica V. Themens Producer: Alexandrine Perras Strategist: Jean-Claude Kikongi

Production House: Colossale Executive producers: Alex Auray & Vlad Cojocaru Production Manager: Vlad Doclin Unit Manager: Patrick Zaloum Production Coordinator: Magali Rack

Director: Jeremy Comte 1st AD: Isabelle Brutus 2nd AD: Jonathan Jean-Pierre 3nd AD: Michel Yarmush 4th AD: Jessica Ferguson

Director of Photography: Olivier Gossot 1st AC: Mathieu Nadon 2nd AC: Charles Durand Morin Lib: Jean Francois Landry Streaming/ DIT/ VTR: Ronald Casseus DIT Assistant: Andrew Anthony Drone Operator: Guillaume Beaudoin Drone Assistant: Mark Buyra

Casting Company: Smyth casting Casting Director: Ilona Smyth Casting Director: Kelsie Winsor Protagonist: Miho Suzuki Solo Woman: Tara Sky Man reading the newspaper: Harley Sanford Father and Daughter: Jimmy Limb & Mia Ilankovan Couple: Keana graves & Tosh Wadsworth Solo Man: Qasim Khan

Gaffer: Stephane Leblanc BB Electro: Fredéric Demers Electro: Louis Etienne Hebert Racine, Eric Lapointe, Mitch Lawson, Kevin Mcmilligan, Martin Gregor Generator Operator: Yves Ouimet

Head Grip: Stéphane Klopp Best Boy Grip: Mathias Maumont Grips: Lucas Cyrus Navennec, Kim Larouche, Brendan Mclouglin, Nick Persaud, Alex Galan Techno crane Technician: Bertrand Dupuis

Art Director: Melanie Truchon Décoratrice Artistique: Chiara Fossati Prop Master: Francois locas Tech Decors, Mathieu Richard, John Goodwin SFX coordinator : Mario Dumont SFX Techs: Alain Rouiller, Gabrielle Dumont, Ben Bélanger, Mathew Synek

Styling: Skye Kelton Habilleuse: Talia Godin, Summer Ellis Make-Up Artist: Nancy Ferlatte Make-up Assistant: Gisèle Matte Hair Dresser: Darcy Langille Assistant Hair Dresser: Tracy Page

Set PA: Samy Nour PAs: Karl Raymond, Isaa Karim Abaababa, Juliette Poitras, Justine Pelletier Sanitary Coordinator: Wesley Long Sanitary Assistant: Mika Doclin Secouriste: Paul Needham Cantinier: Christian Marion Assitant Cantinier: Pablo Lugo Security: Kristen McNaule, Nick Vallière

Visual post-production: Chop Chop Films Post-production directors: Victor Ghizaru / Colin Beaudry Offline editor (DC): Jeremy Comte Coordinator: Khadija Ellouze Assistant editor: Rodlyne Mahée Jean Conform / Exports: Philippe St-Arnaud Motion designer: Gautier Spiser Online editor: Colin Beaudry Colorist: Simon Boisx

VFX: Mathematic Directeur du studio: Alexandre Pagot VFX supervisor: Thomas Nauthin Lead compositeur: Philippe Bienvenue Compositrice: Sophie Roques Compositeur: Dominique Dauphin Fx Artist: Florian Rhin Chargé de projet: Mathieu Taggart

Sound Studio & Music: Cult Nation Narration: Daniela Andrade Sound Design/ Mix: Theo Porcet Music: Mat Laf

[liuxiang]

Book your comeback - VIA Rail (DC) from Jeremy Comte on Vimeo.

Client: VIA Rail Canada Louis Levesque Philippe Normand Mia Bergman Alexandra Nasim

Agency: Cossette Executive Creative Director: Louis-Philippe Tremblay Creative Director: Gilles Legault Lead Creative Team: Adrien Heron & Ugo Martinez Art Director: Jessica Fecteau VP/ Lead business: Nadja Décarie Product Director: Nicolas Girault

Production Manager: Erica V. Themens Producer: Alexandrine Perras Strategist: Jean-Claude Kikongi

Production House: Colossale Executive producers: Alex Auray & Vlad Cojocaru Production Manager: Vlad Doclin Unit Manager: Patrick Zaloum Production Coordinator: Magali Rack

Director: Jeremy Comte 1st AD: Isabelle Brutus 2nd AD: Jonathan Jean-Pierre 3nd AD: Michel Yarmush 4th AD: Jessica Ferguson

Director of Photography: Olivier Gossot 1st AC: Mathieu Nadon 2nd AC: Charles Durand Morin Lib: Jean Francois Landry Streaming/ DIT/ VTR: Ronald Casseus DIT Assistant: Andrew Anthony Drone Operator: Guillaume Beaudoin Drone Assistant: Mark Buyra

Casting Company: Smyth casting Casting Director: Ilona Smyth Casting Director: Kelsie Winsor Protagonist: Miho Suzuki Solo Woman: Tara Sky Man reading the newspaper: Harley Sanford Father and Daughter: Jimmy Limb & Mia Ilankovan Couple: Keana graves & Tosh Wadsworth Solo Man: Qasim Khan

Gaffer: Stephane Leblanc BB Electro: Fredéric Demers Electro: Louis Etienne Hebert Racine, Eric Lapointe, Mitch Lawson, Kevin Mcmilligan, Martin Gregor Generator Operator: Yves Ouimet

Head Grip: Stéphane Klopp Best Boy Grip: Mathias Maumont Grips: Lucas Cyrus Navennec, Kim Larouche, Brendan Mclouglin, Nick Persaud, Alex Galan Techno crane Technician: Bertrand Dupuis

Art Director: Melanie Truchon Décoratrice Artistique: Chiara Fossati Prop Master: Francois locas Tech Decors, Mathieu Richard, John Goodwin SFX coordinator : Mario Dumont SFX Techs: Alain Rouiller, Gabrielle Dumont, Ben Bélanger, Mathew Synek

Styling: Skye Kelton Habilleuse: Talia Godin, Summer Ellis Make-Up Artist: Nancy Ferlatte Make-up Assistant: Gisèle Matte Hair Dresser: Darcy Langille Assistant Hair Dresser: Tracy Page

Set PA: Samy Nour PAs: Karl Raymond, Isaa Karim Abaababa, Juliette Poitras, Justine Pelletier Sanitary Coordinator: Wesley Long Sanitary Assistant: Mika Doclin Secouriste: Paul Needham Cantinier: Christian Marion Assitant Cantinier: Pablo Lugo Security: Kristen McNaule, Nick Vallière

Visual post-production: Chop Chop Films Post-production directors: Victor Ghizaru / Colin Beaudry Offline editor (DC): Jeremy Comte Coordinator: Khadija Ellouze Assistant editor: Rodlyne Mahée Jean Conform / Exports: Philippe St-Arnaud Motion designer: Gautier Spiser Online editor: Colin Beaudry Colorist: Simon Boisx

VFX: Mathematic Directeur du studio: Alexandre Pagot VFX supervisor: Thomas Nauthin Lead compositeur: Philippe Bienvenue Compositrice: Sophie Roques Compositeur: Dominique Dauphin Fx Artist: Florian Rhin Chargé de projet: Mathieu Taggart

Sound Studio & Music: Cult Nation Narration: Daniela Andrade Sound Design/ Mix: Theo Porcet Music: Mat Laf

[lordloos27]

Duesenberg 1939, COUPE SIMONE

The Duesenberg Coupe “Simone,” was a request made by the cosmetics magnate Gui(Guy) De La Roche as a gift for his young lover Simone.

The story begins, as many romances do, in France. Yet, in many ways it is an American story. The story of two immigrants, Emmett Hardnock and Armand Minasian. It is a story filled with the excitement, the creative energy of the early automotive age, and a story of our time, our chance happenings and dogged research.

The year was 1936, The French cosmetics king Gui De LaRouche had just attened the world premier of the film The Clearing Cloud. Watching the film, he was particularly impressed by an automobile driven by the leading man. After making several inquiries, he learned that the automobile’s gorgeous body was the creation of Emmet - Armand Coachworks of America located in Green Brier, Pennsylvania.

[atscorpsblog]

Guardians Of The Galaxy Originally Had A Multiplayer Mode

Guardians Of The Galaxy Originally Had A Multiplayer Mode

Eidos Montréal’s recently announced Guardians of the Galaxy will be a strictly single-player affair when it releases on consoles and PC later this year, but new details provided by a former member of the development team appear to suggest that wasn’t always the case. As pointed out by the website SegmentNext, the LinkedIn profile for Simon Larouche – now employed by Guerilla Games and…

[alarsal24]

استوديو Guerrilla Games لديه مشروع سري قيد التطوير منذ عام 2018

استوديو Guerrilla Games لديه مشروع سري قيد التطوير منذ عام 2018

في حال كنت صاحب ذاكرة قوية، فبالتأكيد تتذكر التقارير المنتشرة قبل عامين وأوضحت عمل Guerrilla Games على لعبة جماعية قيد التطوير تحت إشراف مخرج Rainbow Six Siege السابق، وعلى ما يبدو أن عملية تطوير اللعبة بدأت قبل ذلك التاريخ. وفقًا لأحدث التقارير، يعمل استوديو Guerrilla Games على مشروع سري غير معلن منذ عام 2018، يقال أنه قيد التطوير تحت إشراف Simon Larouche مخرج أسلوب اللعب بشركة Ubisoft لألعاب…

[smrsblogs]

Simon Leoza - La Nuée from Vincent Rene-Lortie on Vimeo.

A young girl takes her first step from childhood into adulthood by deciding to flee her abusive father with her newborn sister in tow.

With Eve Dupuis, Frédéric Lavallée & Félix Giguere

Directed by Vincent René-Lortie Music by Simon Leoza

Produced by Telescope Films Executive producer - Samuel Caron Producer - Élise Lardinois Production Manager - Félix Cayer 1st assistant director - Clara L’heureux Garcia Production Coordinator - Marjorie Gauvin Prod. assistants - Jonathan Verreault & Jeremy Gagnon

Cinematographer - Alexandre Nour 1st camera assistant - Kevin Gourvellec Loader - Laure Boyer Key grip - Alain Tremblay Grips - Xavier Boisvert & Danik Gollain

Production designer - Geneviève Boiteau Make up artist - Carole Methot Art assistant - Laurence Perreault-Brière

Sound recording - Samuël Jodry Larouche

VFX - Olivier Masson Editor - Vincent René-Lortie Sound designer - Nataq Huault Color - Simon Boisx Storyboard artist - Simon Dubois Casting - Casting VTB & Brittney Canda

Label - Rosemarie records Violin 1: Gabrielle Richard Violin 2 : Amanda Gibeau Viola : Marilou Lepage Violoncello : Anne-Louise Gilbert Produced and arranged by Blaise Borboën-Léonard and Simon P. Castonguay Engineered by Blaise Borboën-Léonard Mixed by Blaise Borboën-Léonard, Studio Makina Mastered by Richard Addison, Trillium Sound Studios

Special thanks to MELS, Shane Patrick, Nancy Grant, Janet Lang, Robert Warrington, Tony Lermiri, Janie Patenaude, Myriam Julien, The City of Harrington, The Lost River Community Center

[artwalktv]

A young girl takes her first step from childhood into adulthood by deciding to flee her abusive father with her newborn sister in tow. With Eve Dupuis, Frédéric Lavallée & Félix Giguere Directed by Vincent René-Lortie Produced by Telescope Films Executive producer - Samuel Caron Producer - Élise Lardinois Production Manager - Félix Cayer 1st assistant director - Clara L’heureux Garcia Production Coordinator - Marjorie Gauvin Prod. assistants - Jonathan Verreault & Jeremy Gagnon Cinematographer - Alexandre Nour 1st camera assistant - Kevin Gourvellec Loader - Laure Boyer Key grip - Alain Tremblay Grips - Xavier Boisvert & Danik Gollin Production designer - Geneviève Boiteau Make up artist - Carole Methot Art assistant - Laurence Perreault-Brière Sound recording - Samuël Jodry Larouche VFX - Olivier Masson Editor - Vincent René-Lortie Sound designer - Nataq Huault Color - Simon Boisx Storyboard artist - Simon Dubois Casting - Casting VTB & Brittney Canda Label - Rosemarie records Special thanks to MELS, Shane Patrick, Nancy Grant, Janet Lang, Robert Warrington, Tony Lermiri, Janie Patenaude, Myriam Julien, The City of Harrington, The Lost River Community Center